In 2014, Sigma said the size of the Sony mount made it difficult to make fast glass for Sony. In 2019 they released an amazing piece of fast glass in the form of the Sigma 35mm f/1.2 DG DN ART. It’s also one of the first Sigma lenses to be
I’ll be producing a detailed review of the Sigma 24-70mm DG DN ART but I thought I’d put together some initial thoughts between the two. So how do the Sigma 24-70mm and Tamron 28-75mm differ? The focal length – that’s pretty obvious Construction – It’s difficult to put these two
This is a review I put together for shotkit.com As a sports shooter, telephoto lenses are bread and butter lenses. For most of my sports work, I prefer being in the water with a water-housing and a wide-angle, but there are some occasions where I don’t have that luxury. With
I have been a bad with updating this blog with some of the recent reviews I put together for Shotkit due to some travel. I’ll be posting these up over the next couple of days. Enjoy… There is a common phrase in life that also applies to photography: “Buy once,
I’ve always loved my Sony 100-400mm GM but it was only in Saalbach, Austria that I got to full appreciate how good this lens is. I’d been wanting to get out for a photography session with Snowboarding and Skiing for a while but sadly the Australian conditions aren’t that suitable
A new firmware has arrived for the A7iii and A7riii and as usual, Sony like most camera manufacturers have proved that they are bottom feeders when it comes to customer service. The single most requested feature for the A7iii and the A7Riii is the ability to change the colour of
The great thing with writing for Shotkit is that I get to try out camera bags from a lot of brands (and I have somewhat of a bag fetish). The downside is my camera bag closet already looks like Taylor Swift’s shoe closet, and I’m already on thin ice after
