You have to love the internet, it’s become a treasure trove of information and people create and share content all over the place that they have taken the time to create. The best part about it, is that the majority of this content is free, you just have to decipher between the bull#$%@ (like some of the youtubers who have absolutely no clue).
I can’t claim the credit for this, it came complements of someone by the name of Dennis from Florida (included a screenshot) from DPreview who has created a spread sheet which covers every single setting on the A7Riii along with links to the help files for the various settings, along with some links to videos from the likes of Mark Galer. File is downloadable.
I often cringe when I see the responses to a forum post on how to carry a Sony 70-200mm f/2.8 or Sony 100-400mm. People seem completely oblivious to the damage they are doing to the mounts on their cameras. Worst yet, they are happily advising other users to do the same.
How do you know whether to reconsider how you carry your camera/lens combination? If it comes with a lens collar that allows for attachment directly to the lens, the rule of thumb is to use the lens attachment as these lenses are likely to be heavier than the camera body.
When I first made the shift to Sony, one of the concerns I had was about the loss of Fujifilm’s Classic Chrome, one of my favourite film simulations and probably the only one I use on a regular basis. It wasn’t a show stopper, but I really like the subdued colours for days where I am shooting in midday sun and can’t avoid it.
Fortunately, moving to Sony doesn’t mean the end of Classic Chrome, or many of the other simulations, which can be replicated in some form. Obviously it’s not a perfect science, but I thought I would would put out something so other people don’t don’t through the process as well:
I’m going to be adding some photos to this shortly, I just haven’t got around to take photos when I wrote this, so I apologise if it is graphic free. I’ll update it as soon as I get time.
In the past, the Chinese brands were guilty of copytetion, taking copies of established brands products and pushing them onto the market. In some cases, you picked up reasonable quality gear at a budget price if you couldn’t afford the expensive stuff, in other cases you picked up poor quality copies that last a matter of months or weeks before dying and leaving you out of pocket with no warranty.
Godox is one of these brands that is really starting to impress me. They started off with good quality copies, but these days they are innovating with their own solutions. Lighting solutions, like the AD200 are a good indication of Godox doing good things differently and right.
Taking photos of your children is probably one of the easiest and hardest things to do. It’s easy to take photos, but it’s difficult to take good photos. At the time of writing this article, my kids are 6 and 4, two of the most beautiful girls in the world and they certainly know how to wrap Daddy around their finger. On occasion I like to combine my favorite hobby with my favorite girls and that has provided a big learning curve for me.
There are a couple of reasons why working with your own children is difficult:
1. Children don’t listen to instructions in the same way as an adult. They aren’t being difficult, they’re being children and accepting that is important.
2. Children have a very short attention span as you are probably aware. They can spend an hour playing with something obscure and 2 minutes playing with a toy that you spent a small fortune on.
3. You don’t have limited control over the background when taking photos. You can’t decide when and how your children will be cute. They do that on their own and it tends to be where they want, when they want and how they want.
4. Photos with children are often unplanned. I.e. they do something cute and you try to grab the camera as quickly as possible, hoping that the lens is appropriate.