I am a forty something year old Melbourne based photographer covering a broad range of genre’s from sports to portraits and travel.
My introduction into photography started with doing some kitesurfing photos, but with the arrival of my first daughter, my focus shifted to family and the vast majority of my photos are either family or street. I still try to get extreme sports when I am not kitesurfing myself.
My current non-personal photography work is confined to charity and not-for-profit engagements where I am engaged in photography for a number charity events to give back to the community and help support fund raising for these organisations. These include the homeless and cancer events.
I do not currently do any paid commercial work as I run a successful non-photography business and this allows me to explore my personal creativity with photography.
You have to love the internet, it’s become a treasure trove of information and people create and share content all over the place that they have taken the time to create. The best part about it, is that the majority of this content is free, you just have to decipher between the bull#$%@ (like some of the youtubers who have absolutely no clue).
I can’t claim the credit for this, it came complements of someone by the name of Dennis from Florida (included a screenshot) from DPreview who has created a spread sheet which covers every single setting on the A7Riii along with links to the help files for the various settings, along with some links to videos from the likes of Mark Galer. File is downloadable.
I often cringe when I see the responses to a forum post on how to carry a Sony 70-200mm f/2.8 or Sony 100-400mm. People seem completely oblivious to the damage they are doing to the mounts on their cameras. Worst yet, they are happily advising other users to do the same.
How do you know whether to reconsider how you carry your camera/lens combination? If it comes with a lens collar that allows for attachment directly to the lens, the rule of thumb is to use the lens attachment as these lenses are likely to be heavier than the camera body.
Dear Full Frame users, stop saying you need Full Frame to “grow”, “take good photos” or whatever other crap you feed yourself at night to make yourself feel better.
Yes, to be clear…it’s a myth. You don’t need a full frame sensor to be producing professional world class photos. There are many, very good, professional photos who use APS-C, whether that is Sony, Fujifilm, Nikon or Canon.
Yeah, that’s right, if you were unfortunate enough to buy Capture One for Sony in the last month or two, you’re stuck with an upgrade headed your way along with a price to boot. Not only have the prices jumped substantially, but the upgrade cost is substantially higher than a normal purchase.
As a recent switcher to Capture One, I have to say I love the software, but honestly, what the hell were you guys thinking on the price? You would have a lot more luck if you came in with something close to Adobe’s pricing model on the subscription.
The good news is my new Surf Housing arrived on Friday evening which is one of the first Seafrogs Pistol grip versions in the market. The A7Riii and A7iii versions are obviously compatible due to the button layout but I can’t confirm whether this will be compatible with the A9.
There will be a review the moment I get it out into the water.
With both Nikon and Canon having released systems recently, quite a few people have contacted me to find out why I went Sony, so I would put together was some reasons behind the selection of Sony as opposed to Nikon and Canon.
Just to be clear, from a brand perspective, I have nothing against Nikon and Canon, they have great camera gear. I left Nikon previously and my reasons related to mirrorless. If I was with them now, they might be the logical choice. I saw mirrorless as the future about 3 Years ago. Unfortunately Nikon wasn’t talking a thinking of mirrorless at the time. I was unhappy with their lack of transparency, not the gear.
So, if I considered both, where did they go wrong?
Glass is glass, or at least that’s what you normally think. To a large degree, you would expect the focal lengths to at least stay static, but that’s not always the case has my recent move from Fujifilm to Sony shows.
There are the obvious items, like the availability of lenses in specific focal lengths, If it’s not available, it’s not available, but that played less of a factor than I expected.