I do some TFP shoots as a means to shoot portraits. I’m not a paid professional as I run another non-photography related business and this website is completely non-commercial. As a result, the only way for me to engage effectively with models is under the TFP banner. For those who
Thanks to Photologo (and similar brands that seem to specialise on creating artistic branding for photos), it seems like every photographer that just bought their first camera now feels they have to watermark their photos to protect them. Photo theft is suddenly the single biggest issue of the modern world,
With the recent release of the Sigma 35mm f1.2 and having one in my hands, I thought I would put together my initial thoughts. First off, let’s just be open about it… it’s big. If for some obscure reason you were expecting something small, the f/1.2 makes this a big
After yet another post from someone vastly overestimating their abilities, I thought it was time to remind people of the Dunning Kruger effect and it’s impact on photography. The post in question came from someone who was complaining about the performance of the Tamron 28-75mm and The Sigma Art 24mm
The A7Riv has been released and on paper, the specs look amazing. but there is one glaring shortfall I am utterly confused as to why Sony missed, particularly with a camera with this megapixel count. Small / medium raw There will be usual Sony apologists who try to defend the
For those who missed it, Petapixel posted a rediculous opinion piece that Sony was hurting the industry by innovating and cycling their cameras too quickly. If you haven’t read it, here it is: Is Sony’s Pace of Innovation Actually Hurting the Photo Industry? The gist of the article is that
Apparently Fujifilm released their mount ranking system and Sony is ranked well in APSC but bottom in full frame. It’s an interesting tactic from Fujifilm, but not a clever one as far as I am concerned. I always taken notice when people who are lagging in the technology race start
