Someone offered me a relatively well used Pelican 1550 which I’ve decided to take on as a project.
I’ve been wanting a pelican case but the intended purpose is largely as a storage case for all my camera gear to go into when not in use so buying a new pelican case seemed like an overkill. Continue reading “Pelican repair – my new project”
In 2014, Sigma said the size of the Sony mount made it difficult to make fast glass for Sony. In 2019 they released an amazing piece of fast glass in the form of the Sigma 35mm f/1.2 DG DN ART.
It’s also one of the first Sigma lenses to be true FE mirrorless mount as opposed to the mounts that Sigma produced in the past with a built-in adapter to their DSLR glass.
This glass is identifiable by the combination of DG DN delineation. To date, lenses have had either DG or DN, the DG indicating full-frame and DN mirrorless, but these are the first lenses to appear with both. Continue reading “Sigma 35mm f/1.2 DG DN ART Review”
Whilst I believe that Sony has the upper hand with autofocus, I would still like to see some of the autofocus customisation options from Fujifilm offered on Sony. There are some aspects Fujifilm also gets wrong on the autofocus side so this isn’t to say Fujifilm is better, more that there are lessons to be learnt for both parties.
What kind of options are we talking about? Continue reading “Sony vs Fujifilm Part 8 – Sony could do with some AF customisation”
I know what the immediate responses from the Fujifilm fans will be, there were 3 or 4 excuses on why Fujifilm isn’t mis-stating their ISO: different ISO standards used, shadow values in raw files not being read… the list goes on. I’ve seen them, don’t really care.
You can call it what you want, but when almost every other brand is reading their ISO differently, you have to ask yourself why Fujifilm is doing things differently AND why they continue doing it despite having it pointed out in so many articles, blogs etc. Is it using other standards or falsely elevating their ISO just to make themselves look better. Currently it looks like the latter. Continue reading “Sony vs Fujifilm Part 7 – Fix your ISO numbers, Fujfilm”
Fujifilm is quite popular as a travel system and there is a good reason for it and it isn’t necessarily APS-C. Fujifilm introduced a compact set of lenses, affectionately called Fujicrons by the users, named after the Leica Summicron. Instead … Continue reading Sony vs Fujifilm Part 6 – Sony needs to create more Fujicrons in their lineup
For those who have never used a Sony camera, the feature set is amazing but it has a menu system that feels like it was designed by a 18yr old crack addict after mixing LSD and Heroine and 72 hours of sleep deprivation. That’s what I would assume occured, as it seems to follow a pattern that not even a military cryptographer could resolve.
To make matters worse, Sony has made the obscure decision to make the navigation path down, across, down, across, in a way that still has you confused no matter how you get used to it. There are options shifted all over the place, flash settings in more than one place. Continue reading “Sony vs Fujifilm Part 4 – Sony needs to fix the sub-standard menu system”
I’m a fan of battery grips. I’ve got big hands and they help balance out long lenses. I like the idea of being to put the grip on and off as required, as an example, when I am shooting events with long lenses, so grips appeal to me.
When I got the A7iii, a grip was always on the cards, it was just a case of when. With lenses like the 135mm ART and 100-400 in my bag, the grips help balance the camera and lens. Continue reading “Sony VG-C3EM Battery Grip review”