From Fujifilm to Sony – How my glass changed

Glass is glass, or at least that’s what you normally think. To a large degree, you would expect the focal lengths to at least stay static, but that’s not always the case has my recent move from Fujifilm to Sony shows.
There are the obvious items, like the availability of lenses in specific focal lengths, If it’s not available, it’s not available, but that played less of a factor than I expected.

Continue reading “From Fujifilm to Sony – How my glass changed”

Sigma 135mm f/1.8 DG HSM Art Lens for Sony E mount Review

Introduction

When I lived in Fujiland, the Fujifilm 90mm (APS-C) quickly became favourite from a focal length perspective. I didn’t have a particular affiliation with the 135mm focal length, I think I originally picked up the 90mm because the AF speed on the Fujifilm 56mm was terrible for kids, but I fell in love with focal length and the compression after that.

With my move to Sony, I started with the Zeiss Batis 85 which is amazing, but after a while buying a 135mm seemed was a foregone conclusion, it was just a question of which one. The Zeiss Batis 135mm F2.8 would have been the logical choice, small and light, but us humans aren’t known for logical choices. This is how the bigger and heavier Sigma 135mm f1.8 ART found it way into my collection. I had a light portrait lens with my Zeiss 85mm Batis so I thought for this one I was going to purchase the beast, and a beast it is…beauty and a beast all in one.

Continue reading “Sigma 135mm f/1.8 DG HSM Art Lens for Sony E mount Review”

Lens aesthetics and third party brands

There is one thing that has always confused me about third-party manufacturers and that is their inability to apply lens aesthetics to each brand. Let me be clear, I’m not talking drastic redesigns here, I’m not talking about creating a retro looking lens for some brands and more modern for others, I’m talking simple colours.

Continue reading “Lens aesthetics and third party brands”