Sony vs Fujifilm Part 6 – Sony needs to create more Fujicrons in their lineup

Fujifilm is quite popular as a travel system and there is a good reason for it and it isn’t necessarily APS-C. Fujifilm introduced a compact set of lenses, affectionately called Fujicrons by the users, named after the Leica Summicron. Instead of putting out lenses with wide open apertures of 1.4 or even f/1.8 like most of the full frame brands, Fujifilm introduced good quality f/2 lenses that were compact, with fast AF and good quality optics.

With full frame and Sony, everything to date has been developed with f/1.4 and f/1.8 apertures with the exception of the 35mm f2.8, a nice compact lens that mirrors the weight and dimensions of Fujifilm 23mm f/2. The problem in Sony’s lens line up is that the 35 f/2.8 is where Sony’s Fujicron equivalents stop. That means if you want to go light, people tend to go with travel zooms like the 24-105 instead of going for 2 or 3 compact primes. This is great if you have the budget for the 24-105mm, or if you’re a zoom users, but not if you’re a prime user or have a limited budget. The advantage with small primes is they still have a larger aperture than a travel zoom so you’re getting better sharpness and low light ability.

I’d like to see Sony introduce more additions to the range, a 24mm f/2.8 and 50mm f/2.8 to complete the combo. You could argue for a 16mm f/2.8 and 85mm f/4 but it would be great just to see the others initially.

What this would start to offer is compact travel options along with alternatives for street photography. If I’m travelling overseas, I’m happy to go with some lightweight lenses.

Why would Sony want to do this?

  1. The one advantage they have is your users don’t have to go to other brands or APS-C to get compact travel options. Fujifilm is a popular brand for travel photos so it would be good to be able to buy lenses in your range without having to go to Fujifilm.
  2. It offers customers a cheap set of entry level primes, but a set of primes that are still decent optical quality.

Maybe there is a market, maybe there isn’t but like most photographers, I’m selfish and I look at what I need. Hopefully it’s something Sony or a third party consider.

Sony vs Fujifilm Part 4 – Sony needs to fix the sub-standard menu system

For those who have never used a Sony camera, the feature set is amazing but it has a menu system that feels like it was designed by a 18yr old crack addict after mixing LSD and Heroine and 72 hours of sleep deprivation. That’s what I would assume occured, as it seems to follow a pattern that not even a military cryptographer could resolve.

To make matters worse, Sony has made the obscure decision to make the navigation path down, across, down, across, in a way that still has you confused no matter how you get used to it. There are options shifted all over the place, flash settings in more than one place.

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Dear Sony Users: Not everyone needs a $2000 Zeiss prime or G Master lens.

There is one thing I find amazing about Sony users: they seem to have bought into the Sony marketing pitch hook, line and sinker. In fact, I would go as far as to say they took the whole fishing rod.

Any time I see a question about a new lens on the facebook sites, the first responses back point to G master lenses or $2000 Zeiss lenses. It’s like every other lens in Sony mount has rabies. Beginner looking for a first lens: G Master. Intermediate looking for a new lens: G Master. Part-time macro user: G Master. Street lens? G Master. Portrait lens with a $300 budget. Save for longer and get a G Master or the Zeiss 50mm f/1.4. I even had someone try to argue with me that a complete beginner would progress more quickly with a G Master lens. They won’t even have their composition right but apparently, they can master DOF.

Continue reading “Dear Sony Users: Not everyone needs a $2000 Zeiss prime or G Master lens.”