To kick things off, let me say there are no winners or losers. This is like a competition between toddlers at pre-school where everyone gets a prize. This isn’t a direct technical comparison between the two and it isn’t about proving you should buy one in particular. This is about guidance on how I made the choice between the two.
The Sony 70-200mm f/2.8 vs Sony 100-400mm f/4.5-5.6 is a common problem choice in cameraland particularly when it comes to sports. It’s not really as simple as putting a converter on the 70-200mm and putting them side by side, they perform differently with and without the converter. For me personally, the 100-400mm was my answer, but like anything, it isn’t the same answer for everyone, hence the reason this isn’t a one paragraph article.
Creative Melbourne is a new Facebook group I was invited to join for a model shoot a couple of weeks ago. It was a speed dating style shoot where they organise multiple models and photographers and where you spend some time with each model over a series of locations and about 5 hours, in some cases sharing a model with one or more photographers.
I’ve written this article as there seems to be a gap in the information provided by Godox specific articles, videos and Sony flash articles with specific reference to the Godox system and how to use it with Sony cameras. Like any camera system, there are unique ways the lighting system works and this can be confusing for many people.
I’ve noted this is specific to the A7iii and A7Riii, however, this is due to these being the only two Sony cameras I have. As a result, I can’t test it across the entire range of Sony cameras. It may or may not be applicable, feel free to try it out, it won’t break anything.